An elderly woman devoted to her foster-daughter searches for a good husband for her.

A live-action adaptation of Jun'ichirō Tanizaki's masterpiece "Shōshō Shigemoto no Haha (Captain Shigemoto's Mother)". Set in the glorious Heian Dynasty, the TV movie decipts the story of a mother and son torn apart for an irrational reason, and how they are reunited 40 years later.

In 2000s Naples, 15-year-old Rosa Ricci is kidnapped by enemies of her father, one of the city’s most feared Camorra bosses. Held captive on a remote island, she transforms from victim to survivor, ready to fight for her freedom before her father’s war for revenge consumes them both.

In the spring of Genroku 14 (1701), Oishi Kuranosuke (Tamura Masakazu), the chief retainer of the Asano family in Ako domain is shocked to learn that his feudal lord, Asano Takumi-no-kami Naganori (Tamayama Tetsuji), had stabbed Kira Kozukenosuke Yoshinaka (Nishida Toshiyuki), the master of ceremonies, at Edo castle. Lord Asano was ordered to commit ritual suicide and the Ako clan abolished. Facing up to the gravity of this unfair ruling, since only one party was being punished instead of both as would be usual, Oishi decides to lead the loyal former retainers in an attack on Lord Kira so that he could take Kira’s head to his lord’s gravesite so that Lord Asano could finally rest in peace.

The film is the personal story of a protagonist of our times and traces Carlo Martini's actions and thoughts, as he has remained faithful to its vocation and ideals. Through dramatic events (terrorism, Tangentopoli, labor crisis, conflict, loneliness) Carlo Martini interpreted losses and concerns of the people, who saw a free man and a non dogmatic prince of the Gospel Church. Thanks to the authenticity of his testimony he has been a reference point for believers and non-believers, a prophet of hope, a forerunner of Pope Francis.

We don't have an overview translated in English. Help us expand our database by adding one.

Three characters in the post-industrial outskirts of Taranto share the same condition of exile, unbeknownst to themselves: a young man explores the landscape through a recorder, mapping sounds; a young woman gets lost among woods and nocturnal rituals; a visually-impaired person caresses the leaves of his vegetable garden, which he tends with enthusiasm and dedication. Landscapes suspended between sea and concrete, old military outposts, and dilapidated farmhouses become the setting for a waiting caught between fleeing and staying for good. The film alternates silences, minimal gestures, and acoustic fragments through an editing that interweaves intimacy and allegory, revealing the conflict between attraction and repulsion towards one’s own city. A place that is at once beloved and despised, distant and inevitable, Taranto is the symbol of a broader condition of alienation and belonging. These Things Never Happened But Have Always Been is a poetic and visionary tale that transforms fragility into a potential metamorphosis.

暂无英文版的简介，请添加内容帮助我们完善数据库。

A man from an upper class family is manipulated into laundering drug money by his brother.

We don't have an overview translated in English. Help us expand our database by adding one.